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THE BRAIN OF THE THEATRE

That is the stage manager, able to coordinate equally the technology and humans so that all the production flows: a meticulous job that demands much coordination and the ability to speak several languages.

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6 qualities of a good stage manager
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Listen to the stage manager Guillermo Carbonell talk about the necessary qualities to be a good stage manager.

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“In the 90s, the scenery of the operas was so gigantic and overbearing that it complicated the work of the stage manager, having to coordinate so many details. ”

Opera “Don Giovanni” by Mozart. (2005) Photo: Javier at the Real
01
“La Bohème” in the Real was first performed the year of the reopening as an opera house (1998) under the direction of Giancarlo of Monaco. Photo: Javier at the Real
02
"The Tales of Hoffmann” by Jacques Offenbach. (2006) Photo: Javier at the Real
03
Opera “L'upupa”, a musical fantasy under the direction of Hans Werner Henze (2007). Photo: Javier at the Real
04

Captions

01. Opera “Don Giovanni” by Mozart. (2005) Photo: Javier at the Real

02. “La Bohème” in the Real was first performed the year of the reopening as an opera house (1998) under the direction of Giancarlo of Monaco. Photo: Javier at the Real

03. "The Tales of Hoffmann” by Jacques Offenbach. (2006) Photo: Javier at the Real

04. Opera “L'upupa”, a musical fantasy under the direction of Hans Werner Henze (2007). Photo: Javier at the Real

REHEARSALS IN AN IDENTICAL ROOM

The rehearsals at the opera are done in sessions of 3 hours, in the morning and in the afternoon, in the S.E.P.E. (Rehearsal and Staging Room), a space that reproduces the characteristics of the scenery of the main stage exactly.

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“FOR THE FIRST TIME IN 20 YEARS, THE TEATRO REAL HAD TO ALTER THE PROGRAMMING IN 2018 BECAUSE OF THE 8M FEMINIST STRIKE.”

The British singer Elton John during the concert in the Teatro Real in Madrid. Photo: EFE/Alberto Martin.
The British singer Elton John during the concert in the Teatro Real in Madrid. Photo: EFE/Alberto Martin.

"EVERY YEAR THE TEATRO REAL PROGRAMME A DOZEN OPERAS AS WELL AS BALLETS, CONCERTS, AND RECITALS"

The stage manager's writing desk in the Rehearsal and Staging Room (S.E.P.E). Photo: EFE/Javier at the Real
The stage manager's writing desk in the Rehearsal and Staging Room (S.E.P.E). Photo: EFE/Javier at the Real

“THE WORKING TOOL OF THE STAGE MANAGER IS THE SCORE, WHICH IN ADDITION TO MUSIC HAS DETAIL OF THE STAGING AND THE NECESSARY EFFECTS FOR EVERY MOMENT”

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